This paper examines the domination of patriarchal authority in Girish Karnad?s play Naga Mandala, focusing on the oppression, psychological suffering, and marginalisation of women within a male-dominated Indian society. Through the character of Rani, the study highlights marital exploitation, gender bias, enforced chastity, and the double standards imposed on women while men remain unquestioned for moral transgressions. The paper argues that the play exposes the injustice of patriarchal family structures and critiques cultural traditions that legitimise female subjugation, ultimately portraying Rani?s journey from silent suffering to empowerment and self-assertion.
Research Scholar, Department of English, Magadh University, Bodh-Gaya
