This article critically examines Raja Rao?s novel The Serpent and the Rope as a philosophical and metaphysical representation of India as an ideology rather than a mere geographical entity. It explores Raja Rao?s indigenous narrative technique, symbolic use of Vedanta philosophy, and the central conflict between Eastern and Western cultures. The study analyzes the protagonist Ramaswamy?s spiritual quest for truth, his intercultural marriage with Madeleine, and the recurring themes of illusion and reality symbolized by the serpent and the rope. Through an exploration of mysticism, metaphysics, inter-caste and inter-religious marriage, and autobiographical elements, the article highlights how the novel presents India as a spiritual and ideological reality. The paper concludes that The Serpent and the Rope stands as Raja Rao?s ?Mahabharata,? embodying his vision of Indian philosophy, cultural identity, and metaphysical truth.
Research Scholar, Department of English, Magadh University, Bodh-Gaya
