This article examines Arthur Miller?s major plays with a focus on the intertwined themes of dignity and realism. Situating Miller within the realistic and socialistic dramatic tradition of Ibsen and Shaw, the study analyzes how Miller presents contemporary social realities without romanticizing his characters. It explores the struggles of characters such as Willy Loman, Joe Keller, John Proctor, Eddie Carbone, Quentin, and Prince Von Berg, highlighting their quest for dignity within oppressive social, moral, and economic structures. The article argues that Miller?s dramas portray ordinary individuals confronting indignity, moral conflict, and societal pressure, thereby redefining modern tragedy. Through realistic characterization and social relevance, Miller emerges as a key advocate of American modern society, using theatre as a means to reveal truth, foster self-recognition, and affirm human dignity.
Research Scholar, Department of English, Magadh University, Bodh-Gaya
